Robert Boswell


Robert Boswell


Starting in January, I'll be teaching only at the University of Houston, joining some of my favorite writers:
Antonya Nelson
Tony Hoagland
Mat Johnson
Alex Parsons
Chitra Divakaruni
Martha Serpas
Nick Flynn
and
Kath Lee



Flash fiction featuring dog:

Howl

We argue, the dog and I, while the moon sends our shadows dreaming across the gray sleeping grass.

“A soap bubble traversing a filthy tub,” I propose.

Dog demurs. “Too prosaic.”

“A battered coin scorned by shopkeepers yet too bright to remain lost, it rides the dark pockets of desperate men.”

“Insufferably romantic,” chides dog.

“Wafer on the ebony tongue of the drowned?”

Dog looses a disparaging, nearly feline mew.

“As bright as the quickening life in a woman’s womb?”

Moon and dog glower.

“What then?”

Dog crows: “The moon is a canker in the night’s black flesh.”

One-upped by dog again.

Biography

Robert Boswell is the author of eleven books, including The Heyday of the Insensitive Bastards, a story collection with Graywolf Press, in April 2009. His novels: Century's Son, American Owned Love, Mystery Ride, The Geography of Desire, and Crooked Hearts. His other story collections: Living to Be 100 and Dancing in the Movies. His nonfiction: The Half-Known World, a book on the craft of writing, and What Men Call Treasure: The Search for Gold at Victorio Peak, a book about a real-life treasure hunt in New Mexico (co-written with David Schweidel). His cyberpunk novel Virtual Death (published under the pseudonym Shale Aaron) was a finalist for the Philip K. Dick Award. His play Tongues won the John Gassner Prize. He has received two National Endowment for the Arts Fellowships, a Guggenheim Fellowship, the Iowa School of Letters Award for Fiction, the PEN West Award for Fiction, and the Evil Companions Award. His stories have appeared in the New Yorker, Best American Short Stories, O. Henry Prize Stories, Pushcart Prize Stories, Best Stories from the South, Esquire, Ploughshares, Harvard Review, Colorado Review, and many other magazines. He shares the Cullen Chair in Creative Writing at the University of Houston with his wife, Antonya Nelson.

Antonya Nelson and Robert Boswell will celebrate their 25th wedding anniversary this summer
Toni and I met in a creative writing workshop at the University of Arizona taught by Mary Carter. We will have been married 25 years come July.

Antonya Nelson is the author of the following story collections:
Nothing Right
Some Fun
Female Trouble
Family Terrorists
In the Land of Men
The Expendables.

She is also the author of three novels:
Living to Tell
Nobody’s Girl
Talking in Bed.

Her work has appeared in The New Yorker, Esquire, Harpers, Redbook, Tinhouse, Prize Stories, the O. Henry Awards, and Best American Short Stories. The Expendables won the Flannery O’Connor Award for Short Fiction in 1990 and Talking in Bed received the 1996 Heartland Award in fiction. Her books have been New York Times notable books in 1992, 1996, 1998, 2000, and 2002, and she recently was named by The New Yorker as one of the “twenty young fiction writers for the new millennium.” She was awarded the Rea Prize for the Short Story in 2003.

The cover photo of THE HALF-KNOWN WORLD generates a lot of interest. People love it. My daughter Jade is an art student at New Mexico State University, and she took the photo. The man rising up out of the water is her boyfriend, poet Stephen Webber.

Answer to most asked question:
Yes, he really is levitating.

You can see some of Jade Boswell's paintings below.

This used to be the post office. In the future (the distant future), it will be a writing retreat.
Toni and I recently bought a big hunk of a ghost town, high in the mountains of Colorado.

Why we did this is a mystery that we find impossible to explain, but there are a couple of streams on the property, aspen trees, pine trees, and a handful of falling down buildings. So far, we're spending a lot of time propping up the falling down buildings, which is more entertaining than it sounds.

David Schweidel and I spent more than a decade researching and writing a book about Victorio Peak. Some of the research was done on our bellies, crawling through a network of caves inside the mountain. The story of Doc and Babe Noss is one of the wildest treasure stories in the Southwest. It certainly took us for a wild ride.

Victorio Peak stands in the middle of the Jornada del Muerto, loosely translated as Dead Man’s Trail. From the sixteenth century to the nineteenth, the Jornada was the deadliest stretch of the El Camino Real, the principal route from Mexico City to Santa Fe. For more than four hundred years, virtually every trading caravan between Old Mexico and New risked falling prey to the Jornada’s brutal heat, dry water holes, roving Apaches.

The peak takes its name from the Apache chief Victorio, who defeated the U.S. Cavalry in a battle fought near the peak in 1880. Treasure enthusiasts speculate that Victorio was protecting a hoard of gold and jewels hidden within the mountain, the plunder accumulated from centuries of Apache raiding.

In November of 1937, unlicensed foot doctor Doc Noss found his way inside Victorio Peak. Over the course of several visits, Doc ventured further and further down a succession of narrow walkways, squeezing through bottlenecks and fording an underground stream. Eventually, he discovered a series of small, interlinked caves and one large cavern that purportedly contained a treasure of fabulous proportions. The system of caves, according to Doc and Babe, held Spanish armor, statues of saints, swords, a crown, a chest of jewelry, twenty-seven skeletons, and an estimated 16,000 gold bars of various types, from primitively smelted cigar-shaped bars to uniform gold bricks stacked in boxes stamped with the Wells Fargo imprint.

Eyewitnesses have since signed sworn statements declaring that they saw Doc Noss bring gold bars and other artifacts out of Victorio Peak. One witness claims to have gone with Doc into the treasure room.

Jade Boswell at her gallery opening.
This is my daughter at a gallery opening featuring her work. Before I found the photograph that we used for The Heyday of the Insensitive Bastards, I considered using her painting of a man with the head of a deer--which pretty much sums up the main characters in that story. The painting is featured here.

Doc Noss was shot from behind by Charley Ryan after an agreement about some gold bars went south. At the murder trial, Ryan defended himself by arguing that Doc Noss was heading for his truck, and everyone knows that Doc kept a gun in his truck.

Ryan was acquitted.

Doc's story and the beauty of the Hembrillo Basin got me hooked. David Schweidel and I worked 14 years on What Men Call Treasure: The Search for Gold at Victorio Peak.

This is my son, Noah. He is attending New Mexico State University.

Published Works

Click on tiles for additional pages

Story Collections
The Heyday of the Insensitive Bastards

Published by Graywolf Press, April 2009
Living to Be 100

Published by Knopf in 1994. Paperback published by HarperCollins in 1995.
Dancing in the Movies

Selected by Tim O'Brien as the Winner of the Iowa Prize in 1985 Published by the University of Iowa Press in 1986. Paperback edition from New American Library published in 1987.
Nonfiction
The Half-Known World

Essays on the writing of fiction. Published by Graywolf in 2008
What Men Call Treasure: The Search for Gold at Victorio Peak

Co-written with David Schweidel. Finalist for the 2008 Western Writers of America Best Work of Nonfiction. Published by Cinco Puntos Press in 2008.
Novels
Century's Son

Published in 2002 by Knopf Paperback published in 2003 by Picador
American Owned Love

Published by Knopf in 1997. Paperback published by HarperPerennial in 1998
Mystery Ride

Published by Knopf in 1993. Paperback published by HarperCollins in 1994.
The Geography of Desire

Published by Knopf in 1989. Paperback published by HarperCollins in 1994.
Crooked Hearts

Published by Knopf in 1987. Paperback published by HarperCollins in 1988.
Virtual Death

Published by HarperPrism, 1995
Plays
Tongues

Winner of the John Gassner Prize First performed by American Southwest Theatre Company in 1999